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“Shame on you Moses, rampagin’ an’ bellerin’ there like a gang of coyotes,” remonstrated his mother. However, the stove-pipe was at last cleaned and ready to put up. Moses’ moroseness had by now developed into a complaint, the chief symptoms of which were sniffling and coughing. “Man is born to trouble as the sparks fly upwards,” quoted Mrs. Wopp. “We’ve had sich a time, but I’m shore our li’l Mornin’-Glory is gittin’ better now.” She gazed at the child with true maternal affection. “She’s lookin’ kinder peart agin.”.
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Conrad
“Stop that there ‘Dead March of Saul,’ an’ go put on yer overalls,” ordered Mrs. Wopp, “what’s the idear of the gardenin’ tool, go git the littlest shovel to put inter the chimbly, an’ don’t let the grass grow under yer feet, neither.” At the close of the act, in the far, high distance, the Goddess, Flora, appeared on a hill-crest. This was Edith herself, arrayed in a filmy gown of pale green, garlanded with snow-drops and buttercups. High, far, and faint came her song of the dawn of Spring. But the gnomes and the elves, Storm, Wind, Frost, and Rain, roared and howled; and Flora, affrighted, fled from view. Which last order was the signal for a giddy frolic. Finally, “Everybody promenade, you know where,” and the dancers joined the spectators on the benches. A gleeful yell greeted his paraphrase. While they ate it all came out, how they had planned and executed. Harold had peas and strawberries hidden in his mysterious basket, freshly gathered by his own hands that morning. George and Jimmy had furnished and dressed the chickens, and the girls had roasted them—with a little supervision from Mrs. Bennett—in the Yukon camping stove that belonged to Harry’s mother. Bess had given the dishes, blue and white enamel, strong as well as good to the eye, and ready for many another frolic..
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