“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. “What do you advise me?” he asked. “I haven’t decided yet.”!

“You know things when you love anybody,” explained the child. “You feel them. You will come again, soon?” “That’s all, my lad,” she said with a smile. “My love to you, and God speed you.”

She was still interested in his work and keen to help him. It was going to be a stiff fight. He himself, in spite of Carleton’s opposition, had been returned with an increased majority; but the Party as a whole had suffered loss, especially in the counties. The struggle centred round the agricultural labourer. If he could be won over the Government would go ahead with Phillips’s scheme. Otherwise there was danger of its being shelved. The difficulty was the old problem of how to get at the men of the scattered villages, the lonely cottages. The only papers that they ever saw were those, chiefly of the Carleton group, that the farmers and the gentry took care should come within their reach; that were handed to them at the end of their day’s work as a kindly gift; given to the school children to take home with them; supplied in ample numbers to all the little inns and public-houses. In all these, Phillips was held up as their arch enemy, his proposal explained as a device to lower their wages, decrease their chances of employment, and rob them of the produce of their gardens and allotments. No arguments were used. A daily stream of abuse, misrepresentation and deliberate lies, set forth under flaming headlines, served their simple purpose. The one weekly paper that had got itself established among them, that their fathers had always taken, that dimly they had come to look upon as their one friend, Carleton had at last succeeded in purchasing. When that, too, pictured Phillips’s plan as a diabolical intent to take from them even the little that they had, and give it to the loafing socialist and the bloated foreigner, no room for doubt was left to them. “It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.” He followed it up with another. This one with a chorus, consisting chiefly of “Umpty Umpty Umpty Umpty Ay,” which was vociferously encored.