“Perhaps it’s wrong of me,” she said. “But it makes me so sad. And I can do nothing.” “In what way?” questioned Joan.!

Joan stopped. “Why, it’s the house you are always talking about,” she said. “Are you thinking of taking it?” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.

“Beg pardon, nurse,” he said, “but we’ve sent for a stretcher, as the police don’t seem in any hurry. Would you like us to take him. Or would it upset him, do you think, if he knew?” “What are you making?” asked Joan. He looked straight into her eyes. “You are,” he said. “I have been reading your articles. They are splendid. I’m going to help.”