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"Certainly; it's young Billy Wilson. You know—the lad who is always roaming the woods." The hall door was wide open; a footman was crossing the hall. Captain Acton called to him. She bent and gave the dogs a farewell pat; then moved like the spirit of the moonlight to the house. "Good night," she called softly from the doorway..
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"Oh, I can so!" Mr Lawrence made a step and quickly picked up the knife and drew back again, conscious that the fixed gaze will often awake a slumberer even from deep repose. He stood close to the door viewing this picture of a sleeping girl in a ship's little cabin irradiated by a dim light, whose motions, with the rolling and the pitching of the ship, filled the darkling interior with a hundred dancing spectres. His marine ear would take no heed of the voices of the ship in that cabin, the groans and murmurs, the low whistlings and rusty strainings. This was a concert which his seasoned sense of hearing must miss or overlook in his perception of the picture he viewed. "Bill won't bother you none if you do what I say," said Maurice as he made for the grove. Half an hour later he and Billy approached old Harry's hut and knocked gently on the door. Harry's voice bade them enter. This vessel was the Minorca, which, as we[Pg 235] know, had left Old Harbour shortly after eight o'clock that morning, and now she had shrunk the Mother Country into a delicate vision, and slightly leaning from the wind was sliding with a steady keel through the water which beautified the copper that shone ruddily under her weather-bow with the prisms and crystals and gems of the ocean fountain. In spite of Admiral Lawrence's admiration of her, she would excite laughter in this age as an example of the stump-ended fabrics which the shipwrights of the eighteenth and the nineteenth centuries were building for sailors. Yet many of these structures made wonderfully long voyages and kept the seas, touching here and there to careen, for as lengthy a period as the average life of the modern steel fabric..
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