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Howard sat back in his chair and thought of the possibilities of seeing Nell. He reflected that they were as good as engaged. Mrs. Wopp had given her diagnosis of the case enigmatically, perhaps, but with a degree of accuracy denoting keen observation on the evening of his last visit at the Wopp household. For fully a fraction of a minute Nell had let him hold her hand, and then her face all dimpling had turned to say good-night. He was rehearsing what he should say next time she dimpled so irresistibly and he breathed anathemas on his asinine conduct in being so shy and tardy. He was brought to the immediate present by Moses who was regarding an ice-cream soda with suspicion. “Why, I wonder? She used to watch us at it and laugh.” “Thank you Mr. Newman, you’re a prince.”.
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And Billy seeing sweet potatoes sticking out of hot ashes, and other luxuries in evidence, concluded that some business was “doin’ among the girls,” where he wouldn’t be welcome. He went back to the “Front,” where some of the contractors were having a violent altercation over the meaning of certain specifications. The Boss soon arbitrated successfully, and things moved “lively” for a short time, when the[55] banging of a dishpan announced dinner at “the hotel.” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “I wouldn’t jist say he cant git up, Mrs. Wopp, fer Mrs. Bower sewed the tear up fer him; but the pants bein’ still on him and Joe bein’ shy-like she felt too narvous to make a good job of it an’ I reckon Joe is afeard those few stitches Mrs. Bower put in may not be very secoor.” “Open window.”.
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