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The boy—he is little more—cowers beneath her glance. He changes color, and drops the branch he holds. No excuse rises to his lips. To attempt a lie with those clear eyes upon him would be worse than useless. He turns abruptly away, and is dead to the Towers from this moment. "Your husband called me 'thief.' I have not forgotten that," replies he, gloomily, the dark blood of his mother's race rushing to his cheek. "I shall remember that insult to my dying day. And let him remember this, that if ever I meet him again, alone, and face to face, I shall kill him for that word only." "Oh, yes, you must indeed," says the little enthusiast, brightening. "It is more than lovely. How I wish I could go with you!".

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"I quite forgot about the driver," says Geoffrey, beneath his breath. This remark is unfortunate. Mona turns upon him wrathfully. How sweet it is to be wanted by those we love! Geoffrey, lowering his gun, stoops and enters the lowly cabin (which, to say the truth, is rather uninviting than otherwise) with more alacrity than he would show if asked to enter the queen's palace. Yet what is a palace but the abode of a sovereign? and for the time being, at least, Rodney's sovereign is in possession of this humble dwelling. So it becomes sacred, and almost desirable, in his eyes. "Yes?" says Mona, who looks and is, intensely interested. "Except that my hair is rolled up, and is too dark, isn't it? I have read about her, and I once saw a picture of Marguerite in the Gallery in Dublin, and it was very beautiful. I remember it brought tears to my eyes, and Aunt Anastasia said I was too fanciful to be happy. Her story is a very sad one, isn't it?".