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“He smiles sich a toothy grin,” commented Moses. In the meantime Mr. Wopp sitting precariously on the edge of the sofa was examining for at least the two-hundredth time the red plush album which contained the records of the Wopp family, past and present, in picture form. He looked long and earnestly at a tin-type representing a plump, velvet-coated, mop-haired boy of twelve. He sighed deeply. “If she steams,” Harold put in sagely..

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“But, Billy, Tom opens it for him! He climbs up, gets his nose in, and the largest part of himself; then he crowds along as hard as he can, and calls to Flash, ‘The way is clear; come’;—you needn’t laugh; he says it just as plain as words,” she protested. “And Flash springs up, creeps through, and jumps to the floor, with Tom after him; and the screen slaps to with a big noise. I’ve seen them do it three times this week. Isn’t that a wonder?” Now the dance was a two-step and Mrs. Wopp, who drew a hard and fast line at round dances, declaring they were instigated by the evil one, sat and looked on talking to Betty meanwhile. The Sheriff smiled at the note of command in the boy’s incoherence. “Not on your life, sonny,” and his voice softened; “we’ve got to have you in our business. Help him along,” he said to one of the deputies, as they came a moment later to where the path broadened; while he walked behind covering the panting prisoners. The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous..