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Mona is down at the gate waiting for him, evidently brimful of information. His love at this moment—which is closing upon noon—is standing in her cool dairy upon business thoughts intent yet with a certain look of expectation and anxiety upon he face,—a listening look may best express it. "Yes. When talking then of supplanting Sir Nicholas at the Towers, you spoke of your project as a 'splendid scheme.' What did you mean by it? I cannot get the words out of my head since. Is 'scheme' an honest word?".
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The short daylight fades; the wind grows higher; the whole scene is curious, and very nearly fantastical. The pretty girl in her clinging satin gown, and her gleaming neck and arms, bare and soft and white, and the tiny lace-fringed cap that crowns her fairness. The gaunt trees branching overhead that are showering down upon her all their fading wealth of orange and crimson and russet-colored leaves, that serve to throw out the glories of her dress. The brown-green sward is beneath her, the river runs with noiseless mirth beside her, rushing with faint music over sand and pebble to the ocean far below. Standing before her is her lover, gazing at her with adoring eyes. "Do you know by what name I shall always call you in my thoughts?" "I am indeed dear to you, I think," says Mona, softly and thankfully, growing a little pale through the intensity of her emotion. "I don't think I should mind it if I did not feel so much alone. If I had a place in your hearts," she says. "You all like me, I know, but I want to be loved." Then, tremulously, "Will you try to love me?".
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