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"I know that," says the man, sullenly. "But what of him?" pointing to Rodney, the ruffianly look still on his face. "The Englishman, I mane. Is he sure? It's a life, for a life afther all, when everything is towld." "A whole fortnight! And he is as much in love with her as ever! Oh! she can't be half bad," says Captain Rodney, hopefully. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered..

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"Well, I will go," he says, "on one condition,—that you come with me." "If you mean me to repeat all this back again, you will find yourself jolly well mistaken; because, understand at once, I sha'n't do it," says Geoffrey. "I'm not going to have a hand in my undoing; and such unqualified praise is calculated to turn any woman's head. Seriously, though," says Geoffrey, laying his hands on Darling's shoulders, "I'm tremendously glad you like her." In a minute or two the whole affair proves itself a very small thing indeed, with little that can be termed tragical about it. Geoffrey comes slowly back to life, and in the coming breathes her name. Once again he is trying to reach the distant fern; once again it eludes his grasp. He has it; no, he hasn't; yet, he has. Then at last he wakes to the fact that he has indeed got it in earnest, and that the blood is flowing from a slight wound in the back of his head, which is being staunched by tender fingers, and that he himself is lying in Mona's arms. Of Christian charity.