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"Poor soul! poor soul!" says Mona, brokenly; then she drops her hand, and the woman, turning again to the lifeless body, as though in the poor cold clay lies her only solace, lets her head fall forward upon it. "No, I haven't, if that's romance. Of course there was nothing for it but to shut my eyes again and resign myself to my fate. I wonder I'm not dead," says Nolly, pathetically. "I never put in such a time in my life. Well, another quarter of an hour went by, and then I cautiously opened my eyes and looked again, and—would you believe it?"—indignantly,—"there they were still!" Perhaps he is afraid for her. Perhaps it is a gentle hint to her that the truth will be best. Whatever it may be, Mona understands him not at all. His mother glances up sharply..

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Her tone, gentle but dignified, steadies him. Morning Star would not listen. He ran toward the water and Scarface ran after him, for he knew that he must kill the birds and save the boy's life. He ran ahead of Morning Star and met the birds, which were coming to fight, and killed every one of them with his spear; not one was left. The young men cut off the heads of the birds and carried them home, and when Morning Star's mother heard what they had done, and they showed her the birds' heads, she was glad. She cried over the two young men and called Scarface "My son," and when the Sun came home at night she told him about it, and he too was glad. "Why, yes, of course he can," says Mona, without the smallest hesitation. She says it quite naturally, and as though it was the most usual thing in the world for a young man to see a young woman home, through dewy fields and beneath "mellow moons," at half-past ten at night. It is now fully nine, and she cannot yet bear to turn her back upon the enchanting scene before her. Surely in another hour or so it will be time enough to think of home and all other such prosaic facts. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——.