“There is no doubt that when you read this soul-plea from a female stranger in New York City,” etc.; and wherein one learns, a little farther on, that this female stranger weighs only ninety pounds, wants to be cabin-boy, and “yearns to see the countries of the world.” The Snark was partly built in San Francisco. The morning her iron keel was to be cast was the morning of the great earthquake. Then came anarchy. Six months overdue in the building, I sailed the shell of her to Hawaii to be finished, the engine lashed to the bottom, building materials lashed on deck. Had I remained in San Francisco for completion, I’d still be there. As it was, partly built, she cost four times what she ought to have cost.!

“We sailed from Suva, in the Fijis, didn’t we?” it demands, and logical mind agrees. “And Suva is in east longitude?” Again logical mind agrees. “And we sailed west (which would take us deeper into east longitude), didn’t we? Therefore, and you can’t escape it, we are in east longitude.” “Three fathoms,” cried Wada at the lead-line. “Three fathoms,” “two fathoms,” came in quick succession.

There was something wrong about that shark. It bothered me. It had no right to be there in that deserted ocean. The more I thought about it, the more incomprehensible it became. But two hours later we sighted land and the mystery was cleared up. He had come to us from the land, and not from the uninhabited deep. He had presaged the landfall. He was the messenger of the land. Now, gentle reader, what would you do if you were on a small boat, rolling in the trough of the sea, a trysail on that small boat’s stern that was unable to swing the bow up into the wind? Get out the sea-anchor. It’s just what we did. We had a patent one, made to order and warranted not to dive. Imagine a hoop of steel that serves to keep open the mouth of a large, conical, canvas bag, and you have a sea-anchor. Well, we made a line fast to the sea-anchor and to the bow of the Snark, and then dropped the sea-anchor overboard. It promptly dived. We had a tripping line on it, so we tripped the sea-anchor and hauled it in. We attached a big timber as a float, and dropped the sea-anchor over again. This time it floated. The line to the bow grew taut. The trysail on the mizzen tended to swing the bow into the wind, but, in spite of this tendency, the Snark calmly took that sea-anchor in her teeth, and went on ahead, dragging it after her, still in the trough of the sea. And there you are. We even took in the trysail, hoisted the full mizzen in its place, and hauled the full mizzen down flat, and the Snark wallowed in the trough and dragged the sea-anchor behind her. Don’t believe me. I don’t believe it myself. I am merely telling you what I saw. On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.