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"Yes, I do," says Mona, truthfully. "Just now, at least. Perhaps"—sadly—"when I am your age I sha'n't." With a little touch of wilfulness, perhaps pride, she withdraws her hand. "It will not: I promise you that; only do not be too prejudiced in her disfavor. I want you to know her,—it is my greatest desire,—or I should not say another word after your last speech, which is not what I hoped to hear from you. Leighton, as you know, is out of repair, but if you will not receive us we can spend the rest of the winter at Rome or anywhere else that may occur to us.".

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Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies. "Tin,—money," explains he. "Why?" he says, with suppressed passion. "Because, each time I do, I know myself to be—what I am! Your truthful eyes are mirrors in which my heart lies bare." With an effort he recovers himself, and, drawing his breath quickly, grows calm again. "If I were to gaze at you as often as I should desire, you would probably deem me impertinent," he says, with a lapse into his former half-insolent tone. The house, is home-like, sweet, and one which might perhaps day by day grow dearer to the heart; and this girl, this pretty creature who every now and then turns her eyes on Geoffrey, as though glad in a kindly fashion to see him there, seems a necessary part of the whole,—her gracious presence rendering it each moment sweeter and more desirable. "My precept to all who build is," says Cicero, "that the owner should be an ornament to the house, and not the house to the owner.".