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The strains of “Red Wing” having died away, Mrs. Wopp busied herself setting up the crokinole board. “Me and Par won’t play, jist the young folks,” she announced. He was pleased with her sympathy; but being a boy, he didn’t like to show it. “I’ll tell you,” he said, eagerly, and without further acknowledgment of her kindness, “ask Mr. Brown to give you my books. Perhaps to-night I can see to study.” “Moses, yer as useless as the hole in a doughnut; here quick gimme yer handkerchief till I mop up yer Par.”.
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Conrad
“This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.” A dull yellow glow from the kerosene lamp, placed by Moses on the bureau, lighted up the figure of Betty reclining on snowy pillows. On one side of her was seated Howard, his arm about the drowsy child. On the side of the bed, squarely seated on one of Mrs. Wopp’s texts worked into the patchwork quilt, was Nell, watching the little pallid face and trying to avoid the eyes of her silent lover. Moses was whistling a dismal discordant air in the backyard when the voice of his mother smote his ears. When brother and sister left her, strange thoughts flitted through her head. She heard Mrs. Bennett beating eggs in the kitchen; saw the logs Billy had piled in the wood-box. On the wall above the piano hung Edith’s schedule—time table, Billy called it. May Nell had already studied it, had seen the fifty or more lessons set for each week; and needlework on the music table, and books there the child had discovered were for music study,—these told her what a busy woman Billy’s sister must be..
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