Fleda thought. "You don't, then?" Mrs. Gereth gave her a long last look, then turned abruptly away. "It's an awful bore you didn't really get it out of him! Well, come to tea," she added rather dryly, passing straight into the house.!

"He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration. "She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you."

She was absent from luncheon, where indeed Fleda had enough to do to look Owen in the face; there would be so much to make that hateful in their common memory of the passage in which his last visit had terminated. This had been her apprehension at least; but as soon as he stood there she was constrained to wonder at the practical simplicity of the ordeal—a simplicity which was really just his own simplicity, the particular thing that, for Fleda Vetch, some other things of course aiding, made almost any direct relation with him pleasant. He had neither wit, nor tact, nor inspiration: all she could say was that when they were together the alienation these charms were usually depended on to allay didn't occur. On this occasion, for instance, he did so much better than "carry off" an awkward remembrance: he simply didn't have it. He had clean forgotten that she was the girl his mother would have fobbed off on him; he was conscious only that she was there in a manner for service—conscious of the dumb instinct that from the first had made him regard her not as complicating his intercourse with that personage, but as simplifying it. Fleda found beautiful that this theory should have survived the incident of the other day; found exquisite that whereas she was conscious, through faint reverberations, that for her kind little circle at large, whom it didn't concern, her tendency had begun to define itself as parasitical, this strong young man, who had a right to judge and even a reason to loathe her, didn't judge and didn't loathe, let her down gently, treated her as if she pleased him, and in fact evidently liked her to be just where she was. She asked herself what he did when Mona denounced her, and the only answer to the question was that perhaps Mona didn't denounce her. If Mona was inarticulate he wasn't such a fool, then, to marry her. That he was glad Fleda was there was at any rate sufficiently shown by the domestic familiarity with which he said to her: "I must tell you I've been having an awful row with my mother. I'm engaged to be married to Miss Brigstock." He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to." She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.