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Mrs. Keeler, who heard the voice without catching Mrs. Wilson's words, struggled up. Croaker promptly sailed over to Maurice for protection. The boy broke the string attached to the note from Billy and reaching behind him secured from a plate a scrap of the dinner he had left uneaten. "Here Croaker," he whispered, "grab it quick. Now, back you go where things are safe," and he tossed the bird into the air. Croaker flew to a tree-top and proceeded to enjoy the reward of service well rendered.,

His face had brightened at the sound of her laughter. Now he patted her hand, as his eyes sought the window. Perhaps the old songs would come back even as the laughter had come and surprise him. Perhaps she was forgetting Stanhope. But no, much as he desired that this should be, he knew her too well for that.,

I'd lay me down and dee.",

"She has the appearance of a frigate," said[Pg 415] Captain Acton, working away at her with his glass.

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He approached Miss Acton's door. Lucy was seated on a locker under a window, three of which embellished the stern of the Minorca. The ocean as the ship lightly depressed her stern, was visible through this window, a blue field decked with flowers of foam that rose and sank. The large glazed space filled the cabin with light, which trembled with the pulse of the white wake streaming fan-wise, and with the shivering of the sunlight into splinters of diamond brilliance by the fretful motions of the breeze-brushed waters.,

Just here a step sounded on the gravel outside and a knock fell on the door. Maurice opened the door and in stepped Anson.,

The sick man sank lower in his chair, his face working, his heart crying the same pleading cry as cried the heart of Rachel of old for her children—a cry understood only by the heart in which it was born—and God.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.