"Merciful powers, how you worship him!" Mrs. Gereth wonderingly moaned. It was, for Fleda, the shake that made the cup overflow. She had a pause, that of the child who takes time to know that he responds to an accident with pain; then, dropping again on the sofa, she broke into tears. They were beyond control, they came in long sobs, which for a moment Mrs. Gereth, almost with an air of indifference, stood hearing and watching. At last Mrs. Gereth too sank down again. Mrs. Gereth soundlessly, wearily wept. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.!

Invited by her companion, who had asked if it weren't wonderful, Mrs. Gereth had begun to say a word about Poynton; but she heard a sound of voices that made her stop short. The next moment she rose to her feet, and Fleda could see that her alarm was by no means quenched. Behind the place where they had been sitting the ground dropped with a certain steepness, forming a long grassy bank, up which Owen Gereth and Mona Brigstock, dressed for church but making a familiar joke of it, were in the act of scrambling and helping each other. When they had reached the even ground Fleda was able to read the meaning of the exclamation in which Mrs. Gereth had expressed her reserves on the subject of Miss Brigstock's personality. Miss Brigstock had been laughing and even romping, but the circumstance hadn't contributed the ghost of an expression to her countenance. Tall, straight and fair, long-limbed and strangely festooned, she stood there without a look in her eye or any perceptible intention of any sort in any other feature. She belonged to the type in which speech is an unaided emission of sound and the secret of being is impenetrably and incorruptibly kept. Her expression would probably have been beautiful if she had had one, but whatever she communicated she communicated, in a manner best known to herself, without signs. This was not the case with Owen Gereth, who had plenty of them, and all very simple and immediate. Robust and artless, eminently natural, yet perfectly correct, he looked pointlessly active and pleasantly dull. Like his mother and like Fleda Vetch, but not for the same reason, this young pair had come out to take a turn before church. "The case," said Fleda coldly, "is as I've had the honor to state it."

Fleda hesitated. "Has he informed you, dear Mrs. Gereth?" Owen weighed her question as if he felt the responsibility of his answer. But that answer came in a moment, and, as Fleda could see, out of a wealth of memory. "She never wanted them particularly till they seemed to be in danger. Now she has an idea about them; and when she gets hold of an idea—Oh dear me!" He broke off, pausing and looking away as with a sense of the futility of expression: it was the first time Fleda had ever heard him explain a matter so pointedly or embark at all on a generalization. It was striking, it was touching to her, as he faltered, that he appeared but half capable of floating his generalization to the end. The girl, however, was so far competent to fill up his blank as that she had divined, on the occasion of Mona's visit to Poynton, what would happen in the event of the accident at which he glanced. She had there with her own eyes seen Owen's betrothed get hold of an idea. "I say, you know, do give me some tea!" he went on irrelevantly and familiarly. "I see," said Owen, looking at his gloves. "I can give her a day or two, you know. Of course I didn't come down to sleep," he went on. "The inn seems a horrid hole. I know all about the trains—having no idea you were here." Almost as soon as his interlocutress he was struck with the absence of the visible, in this, as between effect and cause. "I mean because in that case I should have felt I could stop over. I should have felt I could talk with you a blessed sight longer than with Mummy."