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"Well, no; but that is pure Irish," says Geoffrey, unmoved. Mona, with lowered head, turns her wedding-ring round and round upon her finger, and repents bitterly that little slip of hers when talking with the duchess last night. Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney! "No; very near you,—nearer than you think," says Mona, quick to notice any variation in his tone, awaking from her reverie with a start, and laying one of her hands over his. "Geoffrey," earnestly, "what is the exact meaning of the word 'scheme'? Would an honest man (surely he would not) talk of scheming?" Which absurd question only shows how unlearned she yet is in the great lessons of life..
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"Oh, of course," returns she, with a sudden accession of animation. "I have often seen it. That is where the young English gentleman is staying for the shooting." And then old Brian comes in, and Geoffrey opens out to him this newly-devized plan; and after a while the old farmer, with tears in his eyes, and a strange quiver in his voice that cuts through Mona's heart, gives his consent to it, and murmurs a blessing on this hasty marriage that is to deprive him of all he best loves on earth. "What a darling you are!" says Rodney, in a low tone; and then something else follows, that, had she seen it, would have caused the weatherbeaten old person at the fire another thrill of tender recollection. "Oh, no, I'm not clever," says Mona; "but"—nervously and with downcast eyes, addressing Geoffrey—"I might perhaps be able to make you a little more comfortable.".
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