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CHAPTER XV.—MERRY-MAKING IN THE HAY-LOFT. “What’s matter’s Gordon?” he enquired anxiously. He lifted the board, trying its weight. Could he ever get it safely placed? Higher he lifted it, and began to let it drop; but he saw that if the other end missed the window sill, it would pull him down to the court below. Frantic, he stared about for help, for inspiration. He dared not wait till the passers came in hearing; the sound of his voice calling might too soon rouse men inside, make them shoot perhaps. As it was he expected every minute to see a swarthy face appear, a hand with a knife or pistol. It was not for himself he feared, but for May Nell, the little girl who for some strange reason was worth something to these desperadoes, and whose life would be on his soul if he did not save her..

“Do you understand them Betty?”I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was “You hitch Jethro to yer ole ’xpress waggon, ’n I’ll hitch Job to a prune-box with spool-wheels,” suggested Betty.

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. As far as general knowledge went, Betty was a complete encyclopedia ahead of Moses. That youth’s brains had too many labyrinthine passages through which knowledge meandered and got lost to ever lay claim to erudition. As for creative ability, Betty imbibed ideas at every pore. She took odd moments of her busy days and patching them together made hours of creative joy, a sort of mental Joseph’s coat of rainbow brightness. The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous. At this point Moses looked up from his plate and complained, “Mar, this piece o’ meat I got, is so tough it hurts yer eyes to look at it.”.