Her gesture of resignation gave him a pretext for catching at her hand, but before he could take it she had put it behind her. They had been seated together on Maggie's single sofa, and her movement brought her to her feet, while Owen, looking at her reproachfully, leaned back in discouragement. "What good does it do me to be here when I find you only a stone?" "Well, then, that's all right," said Mrs. Gereth as if she had only wanted to feel that she had been irreproachably considerate. After this she was gentler still, but she had another point to clear up. "Why have you given, for a reply, your sister's address?"!

"That gives me a pull!" Fleda returned, smiling. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

"And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she." "When I got into this I didn't know you, and now that I know you how can I tell you the difference? And she's so different, so ugly and vulgar, in the light of this squabble. No, like you I've never known one. It's another thing, it's a new thing altogether. Listen to me a little: can't something be done?" It was what had been in the air in those moments at Kensington, and it only wanted words to be a committed act. The more reason, to the girl's excited mind, why it shouldn't have words; her one thought was not to hear, to keep the act uncommitted. She would do this if she had to be horrid. "I'm glad you didn't do that."