"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work.,
"How melancholy!" says Mona, with a nearer approach to brightness than she has shown all day.,
"Put down your pistol, sir," she says, hastily. "Would you fire on a woman?" Her tone, though hurried, is not oppressed with fear. She even advances a few steps in his direction. Her words, her whole manner, fill him with admiration. The extreme courage she betrays is, indeed worthy of any man's laudation, but the implied trust in his chivalry touches Paul Rodney more than anything has ever had power to touch him before..
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