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"But it is early yet, Mickey, isn't it?" says Mona. But when to-morrow comes it brings to him a very different Mona from the one he saw yesterday. A pale girl, with great large sombrous eyes and compressed lips, meets him, and places her hand in his without a word. Still no answer..

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The birds, as though once more led by the balmy mildness of the day into the belief that summer has not yet forsaken them, are singing in the topmost branches of the trees, from which, with every passing breeze, the leaves fall lightly. The stranger, having come quite near, raises his head, and, seeing her, starts naturally, and also comes to a standstill. For a full half-minute he stares unpardonably, and then lifts his hat. Mona—who, as we have seen, is not great in emergencies—fails to notice the rudeness, in her own embarrassment, and therefore bows politely in return to his salutation. She tucks up her dignified train in a most undignified haste, while Geoffrey covers up all the finery with the crimson shawl. The white cloud is once more thrown over the dainty cap; all the pretty coloring vanishes out of sight; and Mona, after one last lingering glance at Geoffrey, follows its example. She, too, flies across the rural bridge into the covert of her own small domain. Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney!.