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She was a little brig, and an immense but ragged British ensign fluttered at her trysail gaff-end. She had been painted black, but the fret of an ocean long kept, the hurl and whirl of prodigious seas which were like to founder her, the blistering heat of tropic suns,[Pg 352] the viewless fangs of the wind had so worn her sides that she was mottled with patches of different colour as though she was suffering from some distemper which ravaged vessels of her sort when the voyage was of great length. She rolled wearily, as though her old bones were worn out, and every time she hove her bilge to the eye she disclosed a very landed estate of weed, long, serpentine, trailing, like the huge eel-like growths which sway from black rocks in the white wash of breakers.,

CHAPTER II A SHOWER OF FISH,

The Aurora's boat was swept alongside the brig, and Captain Acton and the Admiral clambered over the side up a short flight of steps, and in an instant Lucy was clasped in the devouring embrace of her father. Such an old-world scene taxes the highest gifts of the pen or the brush. This Louisa Ann was about fifty years old; she was nearly as broad as she was long. Her fore-mast was stepped far in the bows; her decks were stained and grimy; the paint had faded out of the inside of her bulwarks. Her sails were patched and so dingy that they might have been coloured as a smack's. Her rusty sides were lined with yawning seams amid which three little circular windows were merged with no accentuation from the dirt-shrouded glass which prevented the sea from entering the blistered, worn, mani-coloured hull. Her sailors looked as though[Pg 359] they were shipwrecked: long-haired, bearded, sallow, in clothes considerably tattered, in aspect melancholy and dejected with lack of nourishment, dullness of sailing and ceaseless motion: for here was the tub wallowing like a buoy in a popple upon a smooth sea, and the frightful weather she would make off Cape Horn or in a gale of wind the imagination of a sailor could readily picture by witnessing her motions now.,

Lucy was somewhat puzzled by Mr Lawrence. His behaviour was cool, gentleman-like, distant, cautious, entirely sober, and for the most part he expressed himself with a high degree of intelligence. She could not but remember that in the morning when, to be sure, he might be said to have been "flown with wine and insolence," he had, with a passion which assuredly borrowed nothing of heat from liquor, plucked a daisy and bade her put it to her sweet lips and return it to him, and he had then concealed the little[Pg 72] flower in his pocket as the only sacred treasure he possessed. This evening his bearing was on the whole as formal and collected as though she was but an acquaintance in whose company he could sit without being overcome by her charms. The passion of the morning was genuine and sincere, drink or no drink; the behaviour this evening was calculated and extraordinary. Perhaps in the delicate candlelight she might not catch every expression of eye, every movement of mouth, every shade of change in the expression of the whole face, so that she would justly imagine she had missed through defective illumination the impassioned look, the swift pencilling by rapture of the lineaments which her maiden's intuition gave her eloquently and convincingly to know must be the secret homage of his heart, let him mask his handsome and worn face as he would.

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"Lucy, my dear," exclaimed Miss Acton, "play 'Now, Goody, Please to Moderate,' or 'My Lodging is on the Cold Ground,' or 'Sally in our Alley.' I do not care which. They are all very beautiful, and I know no song, brother, that carries me back like 'Sally in our Alley.' Do you remember how finely our father used to sing it? He was at Dr Burney's one night, sir," said she, talking to Mr Lawrence, "when a famous Italian singer of that day—who was it now?—she was as yellow as a guinea, and her hoops were so large there were many doors she could not pass through—who was it now? But no matter; after my father had sung she stepped over to him, and curtsying as though she would sit before him, she said: 'I have often heard this song sung and thought nothing of it. But now, sir, I shall ever regard it as the loveliest composition in English music.'",

"Hello!" exclaimed the startled deacon. "Why, bless us, it's a boy! Who are you, and what do you want?",

"Erie out in her boat?" he asked, casually. "I don't hear her voice, or her whistle.",

"Acton, let me introduce an old shipmate—Lieutenant Fellowes. Captain Acton—Miss Lucy Acton."