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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “Anyhow, Mar, that fust punkin pie Par got was a howlin’ success.” “This is excitin’ fun,” moaned Moses, as he picked his way carefully with a tin elbow that threatened every moment to capsize with its flaky mass of black dust, “about as excitin’ as playin’ with the ashes in the mornin’.”.
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“Not till evening; but there’s the lawn.” She stooped and kissed him. Mrs. Wopp rose from her chair and seating herself on the sofa beside her husband took his thin hand in her substantial one, squeezing it openly. By the time the deep apple-pie was brought in, raised in the centre by a cup, he had become facetious, and turning a mirthful countenance to Nell, he whispered audibly, “Isn’t it just like Fuji Yama?” Before Nell could answer, Betty broke in..
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