The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. He saw her “home”; and went on up the stairs to his own floor.!

“They talk about the editor’s opinions,” struck in a fiery little woman who was busy flinging crumbs out of the window to a crowd of noisy sparrows. “It’s the Advertiser edits half the papers. Write anything that three of them object to, and your proprietor tells you to change your convictions or go. Most of us change.” She jerked down the window with a slam. Suddenly, while speaking, she fell into a passionate fit of weeping. She went on through her tears:

She turned down the Embankment after leaving the house. She always found the river strong and restful. So it was not only bad women that needed to be afraid of themselves—even to the most high-class young woman, with letters after her name, and altruistic interests: even to her, also, the longing for the lover’s clasp. Flossie had been right. Mother Nature was not to be flouted of her children—not even of her new daughters; to them, likewise, the family trait. The little drummer in her brain would creep out of his corner, play to her softly while she moved about among them. “So you’re like all the rest of them, lad,” she said. “It’s for King and country. Good luck to you.”