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"Here?" "I won't wear out your patience," she promised, as quiet was restored and her voice could again be heard. "I haven't any oration to deliver. I only want to say that I don't know who it was asked me those questions, and I hope I never shall know. You've all been very kind to me, and I'd hate to think that any of you wanted to make me uncomfortable. I'm sure it was simply an initiation stunt, and I for one shall never think of it again." "No," said Jen, linking David by the arm, "we don't need aid from the law to learn who killed Maurice and avenge his death. David and myself will find the guilty person.".

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"I heard 'Chateaubriand,' anyway," retorted Judith triumphantly. "And that means beefsteak. So I did understand something, you see." "I'll never learn to be composed and considerate," she sighed as she crept in beside the slumbering Judith. "I'm crazy for Elinor to finish that lovely study of hers, and yet I'd wake her up just for my silly whims. She's got to get it done tomorrow if she can. Wish I could help her. Thank goodness, mine's done at last," and she drifted off to sleep with a jumble of prize designs and golden dreams for the future mingling with that recurring memory of Doris Leighton's hardening face as she spoke of her study for the library panel. "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church." They went up in the little box of an elevator, and as they got out, Bruce jingled his keys invitingly..