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"I tell you, Jack, we'll hide the stuff there. It'll be safe as a church.", Billy wanted to shadow old Scroggie's ghost and so discover the will; he wanted to seek out the robbers of the Twin Oaks store and earn a reward; he wanted Maurice Keeler with him; he wanted to hear Elgin Scraff's laugh. But all this was denied him. And now a new burden had been thrust upon him, compared with which all his other woes seemed trivial. Old Scroggie's namesake and apparent heir had turned up again. Billy had seen him with his own eyes; with his own ears had heard him declare that he intended to erect a saw-mill in the thousand-acre forest. This meant that the big hardwood wonderland would be wiped away and that Frank Stanhope would never inherit what was rightfully his., Of this man, a toothless salt whose face was like an old potato, dark with the weather of[Pg 34] vanished days and covered with warts, an affecting story was told: it was evening, and the room was full of seafaring men, and this man, whose name was John Halliburton, sat at the table with a long clay pipe trembling in one hand and a glass of hot rum and water in reach of the other. Several songs had been sung by members of the company, and some one, by way of a joke, asked old John to oblige. To the amazement of everybody the old man put down his pipe, took off his hat, out of which he drew a large red handkerchief with which he polished his face, and then, fixing his lustreless eyes upon the man who had asked him to sing, broke into a song in a strange, quivering, fitful note, as though you should hear a drunken sailor singing in a vault. The assembly was hushed into deep stillness. It was certainly a most unparalleled circumstance for old John to sing. In the middle of the second verse, some old nautical ballad popular fifty years before, he stopped, put his handkerchief into his hat, and his hat upon his head, and resumed his pipe, gazing vacantly at the man who had asked him to sing..