"She abused you, and I defended you. She denounced you—" He had uttered the hope that he should see her the next day, but Fleda could easily reflect that he wouldn't see her if she were not there to be seen. If there was a thing in the world she desired at that moment, it was that the next day should have no point of resemblance with the day that had just elapsed. She accordingly aspired to an absence: she would go immediately down to Maggie. She ran out that evening and telegraphed to her sister, and in the morning she quitted London by an early train. She required for this step no reason but the sense of necessity. It was a strong personal need; she wished to interpose something, and there was nothing she could interpose but distance, but time. If Mrs. Brigstock had to deal with Owen she would allow Mrs. Brigstock the chance. To be there, to be in the midst of it, was the reverse of what she craved: she had already been more in the midst of it than had ever entered into her plan. At any rate she had renounced her plan; she had no plan now but the plan of separation. This was to abandon Owen, to give up the fine office of helping him back to his own; but when she had undertaken that office she had not foreseen that Mrs. Gereth would defeat it by a manœuvre so simple. The scene at her father's rooms had extinguished all offices, and the scene at her father's rooms was of Mrs. Gereth's producing. Owen, at all events, must now act for himself: he had obligations to meet, he had satisfactions to give, and Fleda fairly ached with the wish that he might be equal to them. She never knew the extent of her tenderness for him till she became conscious of the present force of her desire that he should be superior, be perhaps even sublime. She obscurely made out that superiority, that sublimity, mightn't after all be fatal. She closed her eyes and lived for a day or two in the mere beauty of confidence. It was with her on the short journey; it was with her at Maggie's; it glorified the mean little house in the stupid little town. Owen had grown larger to her: he would do, like a man, whatever he should have to do. He wouldn't be weak—not as she was: she herself was weak exceedingly.!

"That's just where it was, miss—to get at the blessed things. And the want of right help—it maddened me to stand and see 'em muff it. This ain't a place, like, for anything organized. They don't come up to a reel emergency." "I'm very glad to be at home," Fleda responded.

"Yesterday morning. I saw him." "It was near it, I was told, an hour ago—the fury of the flames had got such a start. I was there myself at six, the very first I heard of it. They were fighting it then, but you couldn't quite say they had got it down." She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.