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Mrs. Williams was a round-faced dimpled persuasive lady; and Mrs. Wropp, being non-coax-proof and flattered by the request, consented.,

When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.,

The ivy and the Idean vine.’,

“O, that chestnut!” scornfully ejaculated Isobel.

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“This here flower aint a mornin’-glory, but the leaves is mighty like it, an’ the flowers is jist as purty.” Moses explained.,

Mrs. Bliggins’ narrative came to an end. Though its application to the misfortune which dominated the minds of the little gathering in Mrs. Mifsud’s kitchen was somewhat obscure, it served to cause a momentary interest. Experiences so unusual and so complicated as those of Mr. Augustus Snoop were bound to be diverting.,

Notwithstanding Moses’ endeavors to be attractive, Isobel Crump’s voice, as she addressed her brother’s friend was so frigid that her words penetrated his ear like sharply-pointed icicles.,

The perturbed lady wisely let the question pass not being absolutely clear herself as to the operation involved in the casting of lots. She hastened to take up the thread of the story.