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Geoffrey removes the heavy lace that lies round her throat, and then leads her up to the hearthrug nearly opposite to his mother's arm-chair. "Were you? I have forgotten it," replies she, smiling happily, the color coming back to her cheeks. Whereupon Paul Rodney's brows contract, and with a muttered curse he turns aside and leaves the room, and then the house, without another word or backward glance. "Come home, Mona; be advised by me," says Geoffrey, gently, as the man skulks away, walking in a shambling, uncertain fashion, and with a curious trick of looking every now and then over his shoulder, as though expecting to see an unwelcome follower..
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Conrad
At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. Which ever is transformed, yet still the same, Perhaps, could she only know how charmingly becoming this style of headdress is to her flower-like face, she would not have blushed at all. "Eh!" says Geoffrey, starting, not so much at the meaning of her words as at the words themselves. Have the worry and excitement of the last hour unsettled her brain!.
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