"I'm thinking," Fleda continued, "of the simple question of his keeping faith on an important clause of his contract: it doesn't matter whether it's with a stupid girl or with a monster of cleverness. I'm thinking of his honor and his good name." The remark was disastrous. Mrs. Brigstock, on whom her brightness was lost, evidently thought it singularly free. She turned away, as from a presence that had really defined itself as objectionable, and Fleda had a vain sense that her good humor, in which there was an idea, was taken for impertinence, or at least for levity. Her allusion was improper, even if she herself wasn't; Mrs. Brigstock's emotion simplified: it came to the same thing. "I'm quite ready," that lady said to Owen rather mildly and woundedly. "I do want to speak to you very much."!

Fleda jerked herself up. "Were they saving the things?" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

"Don't you think it—I mean that she ought to give them up?" "They are not things of any importance," Owen, to Fleda's surprise, suddenly asserted. He had not at first taken up Mrs. Brigstock's expression of a wish to carry him off: Fleda could see that the instinct at the bottom of this was that of standing by her, of seeming not to abandon her. But abruptly, all his soreness working within him, it had struck him that he should abandon her still more if he should leave her to be dealt with by her other visitor. "You must allow me to say, you know, Mrs. Brigstock, that I don't think you should come down on Miss Vetch about anything. It's very good of her to take the smallest interest in us and our horrid little squabble. If you want to talk about it, talk about it with me." He was flushed with the idea of protecting Fleda, of exhibiting his consideration for her. "I don't like your cross-questioning her, don't you see? She's as straight as a die: I'll tell you all about her!" he declared with an excited laugh. "Please come off with me and let her alone." Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!"