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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles., "Why this way. Ma'll come creepin' up here in the dark, when she thinks we're asleep an' she'll come straight to this—your bed. She'll turn down the clothes an' give me a slash or two, thinkin' it's you. I'll let her baste me some—then I'll speak to her. She'll be so surprised she'll ferget all about whalin' you. She's that way, you know. Like as not she'll laugh to think she basted me—an' she'll be good-natured. You needn't worry any about a lickin', Anse.", "Me singing!" exclaimed old John..