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And so the story went on. All the wholesome things of the country that children like had come from one and another. And each had been as happy in giving as Billy could possibly be in receiving. “Clarence will tell the men where to instal their teams,” the hostess reflected. The boy, who had fought shy of this mere woman’s party, had spent the afternoon in the barn. “Dad an’ Mosey don’t look orful happy,” she laughed. “Smile at me, Mosey.”.
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But to Geoffrey—lest the telling should cause him unhappiness—she had said nothing of her discovery; only when the morning came that saw him depart upon his mission (now so well understood by her), she had kissed him, and told him to "hurry, hurry, hurry back to her," with a little sob between each word. And when he was gone she had breathed an earnest prayer, poor child, that all might yet be well, and then told herself that, no matter what came, she would at least be a faithful, loving wife to him.I tried logging in using my phone number and I
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Those who wish to know something about how the people lived who told these stories will find their ways of life described in the last chapter of this book.
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Conrad
All his treasures, pictures, marbles, mineral specimens, what not, were displayed and explained. And finally came the books, when Billy discovered that she knew most of his favorites, loved them as he did, and could introduce him to new ones that promised delight. “I sorter hoped Moses’d take arter Uncle Josh, too,” she said, regretfully. Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions. Betty was thoroughly engrossed in her subject. Her story was entirely of birds and flowers and fairies. True, the pictures did not realize in their movements the lightning-like rapidity of “really truly” moving pictures, but they moved as fast as the young eyes that followed them could wish..
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