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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. Moses’ opinion, repressed, however, in his bursting bosom, was of a like complexion, only much more vivid. He was hesitating between the liquid verge of tears and the lambent verge of profane utterance. “Oh, he is a wonderful piannerist,” explained Betty. “He played, Oh, jist lovely, jist like birds singin’ an’ rivers runnin’ an’ the sun shinin’. But arfter he played he looked so fierce I was skeered of him. Miss Gordon didn’t like him either, arfter she got knowin’ him better.”.

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“I am wartchin’, Mar,” replied Moses, “But Josh ’pears to be worryin’ ’bout somethin’. He’s chewin’ his bit an’ breakin’ inter a run-like every minute.” This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress. “I wathed theeth carroth mythelf, aint they lovely and red jutht like Motheth hair.” She was quite oblivious of the scornful glance bestowed on her by that outraged shock-headed youth. “Sure!” Billy assented, heartily. “I take it back about old Sir Thomas; I guess they’re equal partners, after all.”.