“So you have come to love the dear old chap,” he said. “Yes,” answered Madge. “It used to be a custom. Young men used to ask young women to marry them. And if they consented it was called ‘being engaged.’ Still prevails, so I am told, in certain classes.”!

She went to him with outstretched arms. “But why should you give up your art?” persisted Joan. It was that was sticking in her mind. “I should have thought that, if only for the sake of the child, you would have gone on with it.”

She saw the vision of him that night, as, leaning from her window, she looked out beyond the pines: the little lonely ship amid the waste of waters; his beautiful, almost womanish, face, and the gentle dreamy eyes with their haunting suggestion of a shadow. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. She wrote to Phillips to meet her, if possible, at Euston. There were things she wanted to talk to him about. There was the question whether she should go on writing for Carleton, or break with him at once. Also one or two points that were worrying her in connection with tariff reform. He was waiting for her on the platform. It appeared he, too, had much to say. He wanted her advice concerning his next speech. He had not dined and suggested supper. They could not walk about the streets. Likely enough, it was only her imagination, but it seemed to her that people in the restaurant had recognized him, and were whispering to one another: he was bound to be well known. Likewise her own appearance, she felt, was against them as regarded their desire to avoid observation. She would have to take to those mousey colours that did not suit her, and wear a veil. She hated the idea of a veil. It came from the East and belonged there. Besides, what would be the use? Unless he wore one too. “Who is the veiled woman that Phillips goes about with?” That is what they would ask. It was going to be very awkward, the whole thing. Viewed from the distance, it had looked quite fine. “Dedicating herself to the service of Humanity” was how it had presented itself to her in the garden at Meudon, the twinkling labyrinth of Paris at her feet, its sordid by-ways hidden beneath its myriad lights. She had not bargained for the dedication involving the loss of her self-respect.