“That tells him to talk all that twaddle?” demanded Miss Ensor. “Have you heard him?” She stood beneath the withered trees, beside the shattered fountain. The sad-faced ghosts peeped out at her from the broken windows of the little silent houses.!

Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. Her father had wished her to go. Arthur’s death had stirred in him the old Puritan blood with its record of long battle for liberty of conscience. If war claimed to be master of a man’s soul, then the new warfare must be against war. He remembered the saying of a Frenchwoman who had been through the Franco-Prussian war. Joan, on her return from Paris some years before, had told him of her, repeating her words: “But, of course, it would not do to tell the truth,” the old lady had said, “or we should have our children growing up to hate war.”

“I passed old ‘Bubble and Squeak,’ just now, spouting away to three men and a dog outside the World’s End. I expect he’ll turn up,” thought Miss Ensor. She laid for four, leaving space for more if need be. “I call it the ‘Cadger’s Arms,’” she explained, turning to Joan. “We bring our own victuals, and Mary cooks them for us and waits on us; and the more of us the merrier. You look forward to your Sunday evening parties, don’t you?” she asked of Mary. There he should have stopped. It would have been a good note on which to finish. But it seemed there was another point he wished to make. Even to the sinner Calvary calls. To Judas—even to him the gates of the life-giving Garden of Gethsemane had not been closed. “With his thirty pieces of silver he could have stolen away. In some distant crowded city of the Roman Empire have lived unknown, forgotten. Life still had its pleasures, its rewards. To him also had been given the choice. The thirty pieces of silver that had meant so much to him! He flings them at the feet of his tempters. They would not take them back. He rushes out and hangs himself. Shame and death. With his own hands he will build his own cross, none to help him. He, too—even Judas, climbs his Calvary. Enters into the fellowship of those who through all ages have trod its stony pathway.” “His sufferings!” he interrupted. “Does suffering entitle a man to be regarded as divine? If so, so also am I a God. Look at me!” He stretched out his long, thin arms with their claw-like hands, thrusting forward his great savage head that the bony, wizened throat seemed hardly strong enough to bear. “Wealth, honour, happiness: I had them once. I had wife, children and a home. Now I creep an outcast, keeping to the shadows, and the children in the street throw stones at me. Thirty years I have starved that I might preach. They shut me in their prisons, they hound me into garrets. They jibe at me and mock me, but they cannot silence me. What of my life? Am I divine?”