His parents had always treated him barbarously; she preferred not to see them again, and they made no advances, either from forgetfulness or out of innate hardness. Every Thursday, friends of Madame Aubain dropped in for a game of cards, and it was Felicite’s duty to prepare the table and heat the foot-warmers. They arrived at exactly eight o’clock and departed before eleven.!

“All ready,” he answered. Madame Aubain worried about her daughter.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. It was a change of clothes and a dry and quiet smoke while kai-kai was preparing. Kai-kai, by the way, is the Polynesian for “food” or “to eat,” or, rather, it is one form of the original root, whatever it may have been, that has been distributed far and wide over the vast area of the Pacific. It is kai in the Marquesas, Raratonga, Manahiki, Niuë, Fakaafo, Tonga, New Zealand, and Vaté. In Tahiti “to eat” changes to amu, in Hawaii and Samoa to ai, in Ban to kana, in Nina to kana, in Nongone to kaka, and in New Caledonia to ki. But by whatsoever sound or symbol, it was welcome to our ears after that long paddle in the rain. Once more we sat in the high seat of abundance until we regretted that we had been made unlike the image of the giraffe and the camel. The packet, towed by singing women, glided out of the harbour. Her hull squeaked and the heavy waves beat up against her sides. The sail had turned and nobody was visible;—and on the ocean, silvered by the light of the moon, the vessel formed a black spot that grew dimmer and dimmer, and finally disappeared.