A well-known artist had been found murdered in his bed and grave suspicion attached to his beautiful young wife. Firstly there was the great event of going to school. She was glad to get away from home, a massive, stiffly furnished house in a wealthy suburb of Liverpool. Her mother, since she could remember, had been an invalid, rarely leaving her bedroom till the afternoon. Her father, the owner of large engineering works, she only saw, as a rule, at dinner-time, when she would come down to dessert. It had been different when she was very young, before her mother had been taken ill. Then she had been more with them both. She had dim recollections of her father playing with her, pretending to be a bear and growling at her from behind the sofa. And then he would seize and hug her and they would both laugh, while he tossed her into the air and caught her. He had looked so big and handsome. All through her childhood there had been the desire to recreate those days, to spring into the air and catch her arms about his neck. She could have loved him dearly if he had only let her. Once, seeking explanation, she had opened her heart a little to Mrs. Munday. It was disappointment, Mrs. Munday thought, that she had not been a boy; and with that Joan had to content herself. Maybe also her mother’s illness had helped to sadden him. Or perhaps it was mere temperament, as she argued to herself later, for which they were both responsible. Those little tricks of coaxing, of tenderness, of wilfulness, by means of which other girls wriggled their way so successfully into a warm nest of cosy affection: she had never been able to employ them. Beneath her self-confidence was a shyness, an immovable reserve that had always prevented her from expressing her emotions. She had inherited it, doubtless enough, from him. Perhaps one day, between them, they would break down the barrier, the strength of which seemed to lie in its very flimsiness, its impalpability.!

“Fifteen years,” she answered. “I was a bit older than ’im. But I’ve never looked my age, they tell me. Lord, what a boy ’e was! Swept you off your feet, like. ’E wasn’t the only one. I’d got a way with me, I suppose. Anyhow, the men seemed to think so. There was always a few ’anging about. Like flies round a ’oney-pot, Mother used to say.” She giggled. “But ’e wouldn’t take No for an answer. And I didn’t want to give it ’im, neither. I was gone on ’im, right enough. No use saying I wasn’t.” He looked at her, and a flush passed over his boyish face.

She ended by rising abruptly and wishing them good-night. Her outburst had silenced Joan’s impish drummer, for the time. He appeared to be nervous and depressed, but bucked up again on the way to the bus. Greyson walked with her as usual. They took the long way round by the outer circle. Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. “I’ve always been considered good at asking awkward questions,” she assured him.