“I know,” whispered Joan. “I’ve been there, too. I knew you were doing it, though I didn’t quite know how—till the other day. I wouldn’t think. I wanted to pretend that I didn’t. I know all you can say. I’ve been listening to it. It was right of you to want to give it all up to me for his sake. But it would be wrong of me to take it. I don’t quite see why. I can’t explain it. But I mustn’t. So you see it would be no good.” “’Orrible murder of a woman. Shockin’ details. Speshul,” repeating it over and over again in a hoarse, expressionless monotone.!

“Yes,” he answered. “All those who have no use for them. About one per cent. of the population. To listen to Miss Tolley you would think that half the women wanted a new husband every ten years. It’s always the one per cent. that get themselves talked about. The other ninety-nine are too busy.” Niel Singleton, or Keeley, as he called himself upon the stage, was quite unlike his sister. He was short and plump, with a preternaturally solemn face, contradicted by small twinkling eyes. He motioned Joan to a chair and told her to keep quiet and not disturb the meeting.

“You’ll soon get used to it,” Joan told her. “The great thing is not to be afraid of one’s fate, whatever it is; but just to do one’s best.” It was rather like talking to a child. “Do you know, I shouldn’t worry about them, if I were you,” Joan advised her. “Let him forget them when he’s with you. A man can have too much of a good thing,” she laughed. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.