“To the poor?” the old man almost shrieked. “To the poor that he has robbed of all power of resistance to oppression by his vile, submissive creed! that he has drugged into passive acceptance of every evil done to them by his false promises that their sufferings here shall win for them some wonderful reward when they are dead. What has been his teaching to the poor? Bow your backs to the lash, kiss the rod that scars your flesh. Be ye humble, oh, my people. Be ye poor in spirit. Let Wrong rule triumphant through the world. Raise no hand against it, lest ye suffer my eternal punishments. Learn from me to be meek and lowly. Learn to be good slaves and give no trouble to your taskmasters. Let them turn the world into a hell for you. The grave—the grave shall be your gate to happiness. “Don’t stop,” she whispered.!

“I always come prepared to these scrimmages,” she explained. “I’ve got some Hazeline in my bag. They haven’t kicked you, have they?” The child turned her head as they walked and looked at her. Joan felt herself smarting under that look, but persisted.

In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. There was but one other woman at the hospital. It had been a farmhouse. The man and both sons had been killed during the first year of the war, and the woman had asked to be allowed to stay on. Her name was Madame Lelanne. She was useful by reason of her great physical strength. She could take up a man as he lay and carry him on her outstretched arms. It was an expressionless face, with dull, slow-moving eyes that never changed. She and Joan shared a small grenier in one of the barns. Joan had brought with her a camp bedstead; but the woman, wrapping a blanket round her, would creep into a hole she had made for herself among the hay. She never took off her clothes, except the great wooden-soled boots, so far as Joan could discover. She rose and replaced the chair. And suddenly a wave of pity passed over her for the dead woman, who had always seemed so lonely in the great stiffly-furnished house, and the tears came.