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"By all means study them, if you are really bent on this tiresome journey. It may do you good. You will at least be more ready to take my advice another time." He leans against the window and looks out anxiously upon the darkening twilight. His mother watches him with curious eyes. Suddenly he electrifies the whole room by whistling in a light and airy fashion his favorite song from "Madame Favart." It is the "Artless Thing," and nothing less, and he whistles it deliberately and dreamily from start to finish. At this point, Geoffrey—who has been hunting all the morning—enters the room with Captain Rodney..

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Geoffrey is nowhere just at this moment. Doatie and Nicholas are sitting hand in hand and side by side in the library, discussing their own cruel case, and wondering for the thousandth time whether—if the worst comes to the worst (of which, alas! there now seems little doubt)—her father will still give his consent to their marriage, and, if so, how they shall manage to live on five hundred pounds a year, and whether it may not be possible for Nicholas to get something or other to do (on this subject they are vague) that may help "to make the crown a pound." "Very uncomfortable for you, I fear, after your long ride," says Mona, coldly but courteously. "Why don't you go into the parlor? I am sure you will find it pleasanter there." "So stupid of your uncle to leave you a property in such a country!" says Lady Rodney, discontentedly. "But very like him, certainly. He was never happy unless he was buying land in some uninhabitable place. There was that farm in Wallachia,—your cousin Jane nearly died of chagrin when she found it was left to her, and the lawyers told her she should take it, whether she liked it or not. Wallachia! I don't know where it is, but I am sure it is close to the Bulgarian atrocities!" "When I bring you to my home," says Geoffrey, "I shall have you painted just in that gown, and with a spinning-wheel before you; and it shall be hung in the gallery among the other—very inferior—beauties.".