"I'm only trying to be prepared for the worst. You must remember that to have to withdraw from the ground she has taken, to make a public surrender of what she has publicly appropriated, will go uncommonly hard with her pride." Mrs. Gereth turned on her sharply. "Ready for what? Ready to see me ruined without a reason or a reward?"!

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. It was this that formed the element through which Mona loomed large; Fleda had enough imagination, a fine enough feeling for life, to be impressed with such an image of successful immobility. The massive maiden at Waterbath was successful from the moment she could entertain her resentments as if they had been poor relations who needn't put her to expense. She was a magnificent dead weight; there was something positive and portentous in her quietude. "What game are they all playing?" poor Fleda could only ask; for she had an intimate conviction that Owen was now under the roof of his betrothed. That was stupefying if he really hated Mona; and if he didn't really hate her what had brought him to Raphael Road and to Maggie's? Fleda had no real light, but she felt that to account for the absence of any result of their last meeting would take a supposition of the full sacrifice to charity that she had held up before him. If he had gone to Waterbath it had been simply because he had to go. She had as good as told him that he would have to go; that this was an inevitable incident of his keeping perfect faith—faith so literal that the smallest subterfuge would always be a reproach to him. When she tried to remember that it was for herself he was taking his risk, she felt how weak a way that was of expressing Mona's supremacy. There would be no need of keeping him up if there were nothing to keep him up to. Her eyes grew wan as she discerned in the impenetrable air that Mona's thick outline never wavered an inch. She wondered fitfully what Mrs. Gereth had by this time made of it, and reflected with a strange elation that the sand on which the mistress of Ricks had built a momentary triumph was quaking beneath the surface. As The Morning Post still held its peace, she would be, of course, more confident; but the hour was at hand at which Owen would have absolutely to do either one thing or the other. To keep perfect faith was to inform against his mother, and to hear the police at her door would be Mrs. Gereth's awakening. How much she was beguiled Fleda could see from her having been for a whole month quite as deep and dark as Mona. She had let her young friend alone because of the certitude, cultivated at Ricks, that Owen had done the opposite. He had done the opposite indeed, but much good had that brought forth! To have sent for her now, Fleda felt, was from this point of view wholly natural: she had sent for her to show at last how much she had scored. If, however, Owen was really at Waterbath the refutation of that boast was easy.

"We're together, we're together," said Mrs. Gereth. She looked helpless as she sat there, her eyes, unseeingly enough, on a tall Dutch clock, old but rather poor, that Maggie had had as a wedding-gift and that eked out the bareness of the room. "And leave his house as bare as your hand? There's nothing in it that isn't precious." "It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th."