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The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged., He threw himself on the bed and wept the bitterest tears he had ever shed in his life, tears of shame. There he lay—hours, he thought—determined to bear his pain and disgrace alone. Yet it was only minutes when he heard his mother in her room, coming!, “You’re George Rideout Smith’s kid, ain’t you?”.