Fleda laid on her arm a hand of vague comfort, of which Mrs. Gereth took no notice. "You've been capable, just to tell me, of this wretched journey, of this consideration that I don't deserve?" "I could give up everything without a pang, I think, to a person I could trust, I could respect." The girl heard her voice tremble under the effort to show nothing but what she wanted to show, and felt the sincerity of her implication that the piety most real to her was to be on one's knees before one's high standard. "The best things here, as you know, are the things your father and I collected, things all that we worked for and waited for and suffered for. Yes," cried Mrs. Gereth, with a fine freedom of fancy, "there are things in the house that we almost starved for! They were our religion, they were our life, they were us! And now they're only me—except that they're also you, thank God, a little, you dear!" she continued, suddenly inflicting on Fleda a kiss apparently intended to knock her into position. "There isn't one of them I don't know and love—yes, as one remembers and cherishes the happiest moments of one's life. Blindfold, in the dark, with the brush of a finger, I could tell one from another. They're living things to me; they know me, they return the touch of my hand. But I could let them all go, since I have to, so strangely, to another affection, another conscience. There's a care they want, there's a sympathy that draws out their beauty. Rather than make them over to a woman ignorant and vulgar, I think I'd deface them with my own hands. Can't you see me, Fleda, and wouldn't you do it yourself?"—she appealed to her companion with glittering eyes. "I couldn't bear the thought of such a woman here—I couldn't. I don't know what she'd do; she'd be sure to invent some deviltry, if it should be only to bring in her own little belongings and horrors. The world is full of cheap gimcracks, in this awful age, and they're thrust in at one at every turn. They'd be thrust in here, on top of my treasures, my own. Who would save them for me—I ask you who would?" and she turned again to Fleda with a dry, strained smile. Her handsome, high-nosed, excited face might have been that of Don Quixote tilting at a windmill. Drawn into the eddy of this outpouring, the girl, scared and embarrassed, laughed off her exposure; but only to feel herself more passionately caught up and, as it seemed to her, thrust down the fine open mouth (it showed such perfect teeth) with which poor Owen's slow cerebration gaped. "You would, of course—only you, in all the world, because you know, you feel, as I do myself, what's good and true and pure." No severity of the moral law could have taken a higher tone in this implication of the young lady who had not the only virtue Mrs. Gereth actively esteemed. "You would replace me, you would watch over them, you would keep the place right," she austerely pursued, "and with you here—yes, with you, I believe I might rest, at last, in my grave!" She threw herself on Fleda's neck, and before Fleda, horribly shamed, could shake her off, had burst into tears which couldn't have been explained, but which might perhaps have been understood.!

"Give them up to whom?" Mrs. Gereth more boldly stared. "I'm glad, then, it didn't arrive. Shouldn't you like him to go?" Fleda asked.

Fleda hesitated; she had not foreseen that so simple an inquiry could disconcert her. "I'm afraid I don't know." Owen weighed her question as if he felt the responsibility of his answer. But that answer came in a moment, and, as Fleda could see, out of a wealth of memory. "She never wanted them particularly till they seemed to be in danger. Now she has an idea about them; and when she gets hold of an idea—Oh dear me!" He broke off, pausing and looking away as with a sense of the futility of expression: it was the first time Fleda had ever heard him explain a matter so pointedly or embark at all on a generalization. It was striking, it was touching to her, as he faltered, that he appeared but half capable of floating his generalization to the end. The girl, however, was so far competent to fill up his blank as that she had divined, on the occasion of Mona's visit to Poynton, what would happen in the event of the accident at which he glanced. She had there with her own eyes seen Owen's betrothed get hold of an idea. "I say, you know, do give me some tea!" he went on irrelevantly and familiarly. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.