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He leans against the window and looks out anxiously upon the darkening twilight. His mother watches him with curious eyes. Suddenly he electrifies the whole room by whistling in a light and airy fashion his favorite song from "Madame Favart." It is the "Artless Thing," and nothing less, and he whistles it deliberately and dreamily from start to finish.,

The stranger is advancing slowly: he is swarthy, and certainly not prepossessing. His hair is of that shade and texture that suggests unpleasantly the negro. His lips are a trifle thick, his eyes like sloes. There is, too, an expression of low cunning in these latter features that breeds disgust in the beholder.,

"It entirely depends on what you consider a lady," says Geoffrey, calmly, keeping his temper wonderfully, more indeed for Mona's sake than his own. "You think a few grandfathers and an old name make one: I dare say it does. It ought, you know; though I could tell you of several striking exceptions to that rule. But I also believe in a nobility that belongs alone to nature. And Mona is as surely a gentlewoman in thought and deed as though all the blood of all the Howards was in her veins.",

"What are ye talkin' about? Get out, ye spalpeen," says the woman, with an outward show of anger, but a warning frown meant for the man alone. "Let her do as she likes. Is it spakin' of fear ye are to Dan Scully's daughter?"

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For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone.,

"But why?" asks Mona, in amaze. "Didn't he wear one?",

"Forgive him!" says Rodney. "Surely, however unkind the thoughts he may have cherished for me, I must forget and forgive them now, seeing all he has done for me. Has he not made smooth my last hours? Has he not lent me you? Tell him I bear him no ill will.",

And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity.