"You should have told her, you know, that I had seen you in town only that one time," Fleda observed. "We're together, we're together," said Mrs. Gereth. She looked helpless as she sat there, her eyes, unseeingly enough, on a tall Dutch clock, old but rather poor, that Maggie had had as a wedding-gift and that eked out the bareness of the room.!

Facing him, waving him away, she had taken another upward step; but he sprang to the side of the stairs and brought his hand, above the banister, down hard on her wrist. "Do you mean to tell me that I must marry a woman I hate?" Fleda submitted like a sick animal: she would submit to everything now. "Then what further passed?"

"I think that before I answer you I had better know what you're talking about," Fleda said. In spite of this sharpness they were now almost equally and almost tremulously mild; though their mildness took mainly the form of an inevitable sense of nothing left to say. It was the unsaid that occupied them—the thing that for more than an hour they had been going round and round without naming it. Much too early for Fleda's train, they encountered at the station a long half-hour to wait. Fleda made no further allusion to Mrs. Gereth's leaving her; their dumbness, with the elapsing minutes, grew to be in itself a reconstituted bond. They slowly paced the great gray platform, and presently Mrs. Gereth took the girl's arm and leaned on it with a hard demand for support. It seemed to Fleda not difficult for each to know of what the other was thinking—to know indeed that they had in common two alternating visions, one of which, at moments, brought them as by a common impulse to a pause. This was the one that was fixed; the other filled at times the whole space and then was shouldered away. Owen and Mona glared together out of the gloom and disappeared, but the replenishment of Poynton made a shining, steady light. The old splendor was there again, the old things were in their places. Our friends looked at them with an equal yearning; face to face, on the platform, they counted them in each other's eyes. Fleda had come back to them by a road as strange as the road they themselves had followed. The wonder of their great journeys, the prodigy of this second one, was the question that made her occasionally stop. Several times she uttered it, asked how this and that difficulty had been met. Mrs. Gereth replied with pale lucidity—was naturally the person most familiar with the truth that what she undertook was always somehow achieved. To do it was to do it—she had more than one kind of magnificence. She confessed there, audaciously enough, to a sort of arrogance of energy, and Fleda, going on again, her inquiry more than answered and her arm rendering service, flushed, in her diminished identity, with the sense that such a woman was great. She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.