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"Oh, I don't know," replied Patricia easily. "She's kind, anyway. I think if she were thin, people wouldn't find her half bad. Fat people never seem quite as human as the rest of us." "I'm glad to hear that she is making good now," said Margaret Howes gravely. "I always felt there was a lot of good in Leighton under her fluff." "I do hope they like it and won't be too hard on me," she thought, as she hastened on. "It took a lot of trouble to make all the little figures, but if they'll only let me off from speechifying, I'll feel it was worth it.".
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Conrad
Griffin emerged as suddenly as she had disappeared. "But it's the men that spoil her," she went on as though no interruption had occurred. "They're polite to her because she's so everlastingly gloomy. Same sort of politeness they'd show to a hearse, you know—respectful but not companionable." "I did not find it at all," rejoined the major, gloomily; "Lady Meg brought it to me." Patricia preceded them to the corner where Elinor, rather pale and agitated, was holding back as Bruce tried to lead her to the model stand. Patricia thought that Bruce's insistence had something to do with the decoration, which was half forgotten by most of the company, and she laid a detaining hand on Elinor's other arm. "I wonder just what my work will turn out to be?" she said thoughtfully. "I'm beginning to be afraid I haven't any real work of my own. I've tried so hard to get on with the modeling—for I do love it—but it just seems as though I couldn't. That first head that they liked so much, and the study of Ju is about all the sculpture I've got in my system, I reckon. I'm downright ashamed to let them know——".
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