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"The best thing about you, Miss Pat," said Elinor, the day before the party, "is that you know when to stop. I simply haven't accomplished a thing the last two days, and yet I couldn't have the courage to shirk the Academy. You stay away joyously, and get the full benefit." "Thank you, I will, all of it, and the bread and butter, too," he answered, in that detestable friendly tone of voice, as he drew himself up and sat in the window. "Hurry, Flower, if you are going to feed me, for I'm ravenous. I've been attending Sam Benson's wife, and I haven't had any supper. You have; so I don't mind taking it all away from you." So Patricia flung her whole self into the sparkling "April Girl," and at the finish had the reward of an ovation. The students clapped and the Eitels applauded with hands and feet, and cried "Encore!" till they were red in the face..

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"Yes, it's going some," returned Griffin nonchalantly, as she started up the stair again, dragging the board after her. "The March Hare originated it back in the dark ages, and we've been doing it off and on—when the authorities don't get on to us." They went up in the little box of an elevator, and as they got out, Bruce jingled his keys invitingly. Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully. "It's my sketch," admitted Elinor in a low tone. "I missed it the next day, but I thought Miss Pat had dropped it when she brought my things home to me. My study was almost done, and I forgot all about it after that.".