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Elinor nodded mutely and clasped Patricia's two hands in her own. Bruce took Patricia's other hand in his strong, warm grasp and the three stood for a silent second as much apart from the gay, noisy scene as though a curtain had dropped between them. Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had." "No, you wouldn't," said Elinor, promptly. "They don't allow other people in the life-class rooms. You'd have to go home and see that Judith was all right. We can't leave her too much to her own devices, even if she is the best little thing in the world.".
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"Fellows were in a hurry," he explained good-naturedly, as he shook hands with a grip that made her wince. "Couldn't keep you girls waiting, anyway. Hullo, Elinor, how's the artist lady? Hullo, kid, give us your paw. Don't need to ask you how you are—you look out of sight." "I guess she wouldn't last much longer at this business," she said, smoothing the creases out of the glove fingers. "She's got a pinched look and her cheeks are mighty pink. No, it ain't paint; I asked right out, and she answered just as nice as could be. She seems tired, poor girl, and mortally glad to have some one take an interest. She says the class rooms are so hot, and the change from living in eighty degrees to sixty-five, like it is in her room, has made her downright sick part of the time." "I wonder," she said, wrinkling her brows, "if Doris Leighton was afraid I'd garnish my panel with any of her ideas; she was so unnaturally stirred up about it." "Yes," he replied, with point and some dryness. "It gives me a clew in a direction for which I should not have looked for it. Thank you, Miss Dallas, and you, Dido. I shall now say good-day.".
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