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“Here, slow-pokes, drop yer carrots in this here bin.” He indicated an empty oat-bin. The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat. “I b’lieve I’ll go an’ git the warterin’ can,” announced Betty. “These pansies is orful dry, an’ even ef the sun is shinin’ on them, some warter round the roots wont hurt. You stay here, St. Elmo, an’ I’ll be back in a minute.”.

“Good work, Bob, my boy! It’s great to see you! Have a good trip? You’ve grown since I saw you—how’re the other fellows? How’s Big Chris?”I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was And yet there was something sad, too, at Tellef’s house, for Tellef’s grandmother was blind. Just think! When she went out of doors she had to keep her hand on the house and walk that way, going round and round it; and that looked so queer. Sometimes she would sit right down on the grass and cry because she could not see; and somehow it seemed especially sad that she should cry with those sightless eyes.

Impressed with the importance of her task of instilling wisdom into the minds of her young listeners, Mrs. Wopp ignored this remark and continued the narrative into which she had already launched. He felt his mother start. “You’re too young for hard work, Billy; you do enough as it is.” This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress. “Pull it tighter.”.