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Amongst those who just then were standing upon the quay-side gazing with more or less of interest at the Minorca and the other vessels moored to the walls, was old Mr Greyquill, whose figure was immediately [Pg 107]conspicuous by reason of his long white hair and heavily white thatched eyebrows. And this day he wore a round velvet cap such as might have been suggested to him by a portrait by some old Flemish artist, and a velvet coat. He stood on the wharf a few paces behind some people who formed a little group, and peered at the Minorca with the sharp of his hand pressed against his brow seeking to determine the faces he saw on board. He was too far off to recognise the Admiral and Captain Acton, who now appeared, but the moment Mr Lawrence's head was visible above the bulwark-rail he knew him, and seemed to try to catch his eye, but Lawrence, who instantly perceived him, averted his gaze or turned his back, and after steadily staring for some moments under the shelter of his hand the old fellow shuffled off., We have seen that the frame which bounded Mr Greyquill's portrait of honour was large. Most men recognising the handwriting would have denied themselves the right of reading this letter, because they had found it lying in[Pg 139] a public roadway, for two reasons: the handwriting was known to them, and the recent presence of the writer where that letter was found would have identified it as its owner's business in no wise to be intruded on by a man of honour., "Well, if we take a look over the place in daylight we'll know the lay-out better at night, won't we? Trigger Finger Tim did that most times, an' he always got away clean. Supposin' a ghost is close at your heels, ain't it a good idea to have one or two good runways picked out to skip on? We're goin' through that ha'nted house in daylight, so you might as well make up your mind to that.".